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I think is a wonderful writer and a very interesting lady. Several reviews, including the Times, gave the four of you and director Matthew Warchus credit for the success of the play, rather than the script. Someone came up to Jeff and said, “I think this saved my marriage.” But, bottom line, it’s a funny play. You understand the situation, and you recognize yourself in it. I think it resonates with audiences, this idea there’s nothing more tense than trying to parent someone else’s child. Our director, Matthew Warchus, calls it a “comedic tragedy,” not a tragic comedy.
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People love a comedy, and yet it’s a comedy that has a resonance to it. Why has God of Carnage become the season’s biggest hit play? After this point, it’s out of our control. You don’t say Beethoven is better than Mozart, you say, “What do you like better?” But at this moment, the fact that the four of us were nominated is a glorious win. If schmoozing is what it takes, and I’m sure Jane would say the same thing, I’ll do a fair amount for the fun of it, but at the end of the day, there’s no such thing as “better.” I know what our performance is, and it’s not “better” than Jane or the two girls at Mary Stuart, Harriet and Janet. I did read something that said I need to “shake more hands.” I don’t really know what that means. How much do you care about winning the Tony? Half of us have kids and the other half don’t drink we’re not a “let’s go out and party” group, so it was lovely to just sit there, four adults having lunch and going, “Yay!” If any of us had been left out, it would have felt horrible because we’re such an ensemble.Īnd yet you are considered one of the favorites in your category. You really can’t compare, but for an actor, I think the Tony is the highest honor.ĭidyou and rest of the cast ever get a chance to celebrate?Īfter the Tony nominees’ reception we ended up having lunch together, and that felt like a celebration because we don’t really go out at night. With theater, what you see is what you get. You know what I mean? You can manipulate the viewer in film. You tilt your head, the music comes in, the light is shining off the mountain lake in the background, and people start sobbing. And film is about something that looks beautiful. It’s just that in film, so many factors are put together to create a performance. The Academy Award is tremendous, and I don’t want to denigrate that at all. I can’t tell you how pleased I am about that.ĭo you consider the Tony a higher honor than your Oscar? And the fact that all four of us were nominated is just fantastic. Doing theater is such a specifically energetic and almost acrobatic work. I recognize that it’s the highest honor an actor can receive, and that is what has sunk in for me.
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You’ve had a little time to get used to being a 2009 Tony nominee.
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Carnage allows Harden to display both sides of her prodigious talent: Though she’s best known for dramatic roles Pollock, Mystic River, plus a Tony-nominated performance as Harper in Angels in America, Harden has taken on comedic roles in movies like Welcome to Mooseport, American Dreamz and Drew Barrymore’s upcoming Whip It! For now, she is savoring her nomination for the acting award she feels is the most prestigious of them all. It’s a happier domestic scene than the one portrayed in Yasmina Reza’s Tony-nominated comedy, in which Harden, James Gandolfini, Hope Davis and Jeff Daniels have it out quite literally after their children get into a playground fight. “Go take a picture of your ballerina while Mommy has a phone call,” she whispers to Julitta, who obeys, chattering as she goes. Speaking from her home in Harlem, the Oscar-winning Broadway star is obviously an experienced juggler, balancing her busy acting career with raising Julitta, twin brother Hudson, and their 10-year-old sister, budding actress Eulala Scheel. Newly minted Tony nominee Marcia Gay Harden is delighted to chat about her hit play, God of Carnage, but first she has to help her five-year-old daughter, Julitta, finish making a ballerina doll.